Guitar Resources

In this lesson you learn how to take chords, scales, and other devices and turn them into jazz guitar lines and comping patterns. For example, over Cmaj7, as in the notation below, you start with the tonic, Cmaj7, and you divide the octave from C-C in half, which gives you the note F#. Then, you harmonize that second note with the same chord quality as the tonic, F#maj7, and you alternate between these two chords in your lines.
Dewa Budjana, Indonesian iconic guitar legend of Balinese ethnic heritage, is releasing his 3rd album ( his 7th solo effort on his parallel jazz- fusion career) on MoonJune Records; the New York City' s independent label of progressive music that explores boundaries of jazz, rock, avant- garde, ethno & the unknown.



Wolf Trap, The Blue Note, Cotton Club, Universal Amphitheater, The Greek Theater, Ravinia, Ronnie Scotts, New Morning, Avery Fisher Hall, Carnegie Hall, and Central Park Stage are just some of the world famous venues he has had the pleasure of playing.
_This substantial lesson is in two parts: Part one covers my particular approach to Legato technique with various essential subtopics including muting technique, rhythm, controlling tension, my 3 essential legato methods and part two gives you the opportunity to learn 15 killer legato lines over a variety of different harmonic contexts.

Jay specializes in teaching classical, fingerstyle and beginning guitar, and enjoys working with students of all ages on what they want to learn, constanly finding meaningful ways to relate the music being studied to core principles of guitar playing and music making.
This chord progression will be used for every single-note example throughout this lesson. When you learn about jazz soloing, you often see lists of scales, arpeggios, subs, licks, etc., and rarely a mention about rhythms. In this Series of Lessons will Breakdown note for note this complex Rock Fusion Guitar Solo.
One is for TrueFire which is on Blues Guitar, the other is for Mike's Master Classes which is on traditional Jazz Improvisation. Unlike those who rock and roll, funk guitarists guitar diminished scale focus much more on the upper strings and generally employ, as has been said, techniques which enable them to make rhythmic, harmonious music in sync with the rest of the band.

Below are some jazz guitar lessons from the old website that have not made it to the new one yet. So I have seen a lot of guitar players playing fusion rock but never understood what is actually going on in the theory. In guitar solos by rock, jazz, funk, and fusion guitarists.
Colorado Springs Guitar Studio owner and guitar instructor Steve Langemo is a versatile electric and acoustic guitarist with a diverse background in jazz, rock, blues, funk, fusion, metal, pop, and classical music. The thing with Mike Sterns playing is among other things he´s rock energy mixed with the jazzy thinking of scales and tones.

In the second of this video series M Arenas covers arpeggios and applications over diatonic progressions (in Major, Harmonic Minor and Jazz melodic Minor), blues progressions as well as minor blues progressions. Even when the music stays in the same key say in E-minor all 12 notes can be used and many modes and chromatic notes such as 3,4 and 5 in a row to give it a more unusual sound.
You're now ready to apply approach notes to target notes to a ii-V-I-VI progression. In this section you learn three essential jazz rhythms that you can apply to any of your comping and chord-work in a jazz style. He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar.

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